Supporto commerciale: +39 393 404 7599
Email: info@digitalcinemacrew.com
Supporto tecnico: +39 392 955 7254
Supporto commerciale: +39 393 404 7599
Supporto tecnico: +39 392 955 7254
Email: info@digitalcinemacrew.com
Noleggio giornaliero: 300,00€ +IVA
RED SCARLET W 5K DSMC2 Brain
Attacco PL-EF, monitor lcd di controllo 4.7”,
supporto loupe, EVF Oled Loupe, 4 mini mag, cage wooden camera,
canne da 15 mm, top handle lungo
Dsmc OLPS filter.
Top handle, banco ottico, canne corte, canne medie, alimentazione V-MOUNT.
RED SCARLET W 5K DSMC2
– Sensor Type: RED DRAGON 13.8 MP Super 35 mm CMOS
– Effective Pixels: 5120 x 2700
– Dynamic Range: 16.5+ stops
– Sensor Size: 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
– Max Frame Rates:
50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
– REDCODE RAW Acquisition Formats:
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
– Apple ProRes:
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps
– Avid Codecs
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
| Peso | 30000 kg |
|---|---|
| Innesto ottica | EF Mount, PL Mount |
Non ci sono ancora domande.
Noleggio giornaliero: 300,00€ +IVA
RED SCARLET W 5K DSMC2 Brain
Attacco PL-EF, monitor lcd di controllo 4.7”,
supporto loupe, EVF Oled Loupe, 4 mini mag, cage wooden camera,
canne da 15 mm, top handle lungo
Dsmc OLPS filter.
Top handle, banco ottico, canne corte, canne medie, alimentazione V-MOUNT.
RED SCARLET W 5K DSMC2
– Sensor Type: RED DRAGON 13.8 MP Super 35 mm CMOS
– Effective Pixels: 5120 x 2700
– Dynamic Range: 16.5+ stops
– Sensor Size: 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
– Max Frame Rates:
50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
– REDCODE RAW Acquisition Formats:
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
– Apple ProRes:
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps
– Avid Codecs
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
| Peso | 30000 kg |
|---|---|
| Innesto ottica | EF Mount, PL Mount |
Non ci sono ancora domande.
